Thomas Canto (French B.1979) transposes his personal vision of his environment on canvas; proposing an abstract and duplicate vision to the disorganized entanglement of the mixtures of his urban life. On one hand, the city in sections of walls or blue prints, on the other humanity and its individuality. Fond of precision work and keen on pure aesthetics, technique holds a prominent place in his production. His gestures, as well as the materials and tools he uses evolve together with his art, and his work continues to gain clarity through experience and time. The patience and meticulousness displayed give an almost industrial aspect to his treatment of modern architecture.