I translate photographs into paintings that call attention to implicit political and social narratives transcribed in the built environment. The architectural image is represented in my work to introduce a dialogue about changing political power structures, failed utopias, the impacts of ideological struggles, war and natural upheavals. I am interested in the highly symbolic role architecture plays in politics and its power to function as an icon of our lived experience, a portrait of an existential phenomenology whose features manifest where society is at one particular moment in history. The paintings are made through a process of drawing, color mixing acrylic paint hand cut stenciling, masking, and applying the paint with a squeegee.
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